In The Viewing Room - Aimée Parrott: Earthworks
Forthcoming exhibition
Overview
Displayed in our upstairs viewing room will be an exhibition of new monotypes by Aimée Parrott.
Parrott makes use of the fluidity of the mono-printing process to create bodies of work where rhythmic gestures and forms repeat seeming to echo; growing, fading, regenerating within a self perpetuating framework. Recent works continue to explore the disjunction between internal sensations and exterior impressions with works that hover between gesture and form, suggesting hybridity, metamorphosis and a symbiotic blurring of boundaries.
The artwork titles, Earthworks, comes from the archaeological term for intentional transformations of the land, formed by sculpting and layering soil and stone. They exist both as physical structures and as thresholds—surfaces that hint at hidden histories embedded beneath the ground.
Parrott’s practice explores the relationship between painting, printmaking, and material transformation. Her process combines monotype printing, dye, appliqué, staining, and stitching, producing surfaces that bear the physical imprints of time, gesture, and touch. Forms emerge, recede, and reconstitute through accumulated layers, allowing the works to evolve rather than resolve.
The artwork titles, Earthworks, comes from the archaeological term for intentional transformations of the land, formed by sculpting and layering soil and stone. They exist both as physical structures and as thresholds—surfaces that hint at hidden histories embedded beneath the ground.
Parrott’s practice explores the relationship between painting, printmaking, and material transformation. Her process combines monotype printing, dye, appliqué, staining, and stitching, producing surfaces that bear the physical imprints of time, gesture, and touch. Forms emerge, recede, and reconstitute through accumulated layers, allowing the works to evolve rather than resolve.
Works
