Aimée Parrott

Aimée Parrott’s practice comprises painting, printing, drawing, sculpture and installation. The artist’s understanding of painting, her primary medium, informs ideas expressed throughout her practice as a whole. Approaching the canvas as a fragile and permeable boundary - a metaphorical skin or body that holds the trace of time, thought and gesture - Parrott explores notions of transformation, connectivity and exchange. Parrott makes use of the fluidity of the mono-printing process to create bodies of work where rhythmic gestures and forms repeat seeming to echo; growing, fading, regenerating within a self perpetuating framework.

Recent works continue to explore the disjunction between internal sensations and exterior impressions with works that hover between gesture and form, suggesting hybridity, metamorphosis and a symbiotic blurring of boundaries.

Parrott was born in 1987 in Brighton, UK, where she currently lives and works. Recent solo exhibitions include Waterborne, Parafin Gallery, London (2023) and Whitehawk Camp, Mackintosh Lane, London (2022). Recent group exhibitions include After Nature, curated by Ben Tufnell, Close Gallery, Somerset (2025); Softly Radiant, Half-Buried, curated by Martyn Cross, Marianne Boesky Gallery, New York (2025); Thresholds, Larsen Warner, Stockholm, Sweden (2025); Thread Suns with Anna Higgins, Ione & Mann, London (2025); Unreal City: Abstract Painting in London, curated by Dominic Beattie and Samuel Cornish, Saatchi Gallery, London (2024); The Language of Line, Lyndsey Ingram, London (2024) and Sussex Landscape: Chalk, Wood and Water, Pallant House Gallery, Chichester, UK (2022).